During the Christmas of 1997 my grandparents bought me a model II Sega Genesis. Unlike my father's NES, this console was actually mine, and as long as I knew that it wasn't just a toy--and could electrocute me--I was free to mess about with it however I wanted. For the entire portion of my youth that I used the system afresh, I never used it, even thought about it in such a way that was out of accordance with the manual.
There was only one time that I didn't take the Genesis' electric magic for granted, and found myself questioning the little plastic box. Once I was scheduled to go on a vacation for a while and upon departure I left the Animaniacs video game on and unpaused over a weekend into a powered-down Zenith television. When I came back, the television had grown quite fond of the tune that was playing out of the Genesis. Whenever there was no sound coming out of the T.V., or when the volume was below 7 (I remember that number well), the song would play out of the television. After going so far as to unplug the Genesis from the T.V. without successfully stopping the melody, I gave up. The television had a song stuck in it's head all the way until it found its way into a garbage compactor in 2003. I don't know in the slightest how that telly could store the music, but as my grandfather was employed by Zenith we got refused units, so I'm guessing this was the television's defect. (Another that we had wouldn't stop playing sound when turned off; it would gently whisper the night through.)
Jumping ahead to my first term at RIT, I had my Genesis and many, many games shipped to my dorm. A floormate and decent friend took note and rather forcfully suggested that we modify the console as to bypass the composite video encoder and output pure RGB, greatly improving video quality. And so he did, tearing apart the precious gift that was so special to me over the years, soldering to it, and re-assembling it with a new hole in the back and a new port. This was the first of many additions to the console.
The next modification to it was to add a 3.5mm stereo audio jack so that we wouldn't need to use the original video cables for sound. So I took a female connector and soldered it to the breakout of the AV port. Simple stuff.
A few months later the same floormate and I found a very large, very good CRT Television just abandoned in a garbage pile. The LHF/UHF tuner was broken or something, but it still displayed data just fine. So while my friend was busy modifying it to recieve pure RGB input, I soldered a female S-Video port to the same AV breakout (That AV port had a lot of pins for a lot of things) and we were off to the races yet again.
By far the most interesting addition, however, was the bank of switches on the side. After soldering switches to the 50/60Hz and PAL/NTSC jumpers, I looked about an inch to the left and noticed that there were several more jumpers. And even more above. I put the console back together to test the first two switches, then I took it partially back apart to mess with those jumpers. I haven't the slightest idea Sega would have left these on the board. One prevents the VDP from writing out to the encoder, leaving either just the border color or stripes of two palette entries, and another occasionally crashes the console(likely my fault). But two others seem to work together to prevent IO operations to VRAM. This means that one can:
The top of my console. A keen eye will notice that the LED is a tad strange, a less keen eye will notice that the region tabs have been gnawed off of the cartridge slot, and a not-so-keen eye will notice that the hardware stickers from my old laptop ended up on the console's backside.
The back of the console. From left to right one sees the 15-pin VGA connector that spits out our RGB signal, the fancy looking new audio out, the two original ports, the NTSC/PAL switch, the refresh-rate switch, and the S-VIDEO port. Yes, the RGB port is the same type of connector that older graphics cards and computers have. This will work with any monitor that supports the sync-frequency of the Genesis' VDP. Apparently the rate on this Genny is not as stable as one would like; when one tries to get the SyncMaster(seen below) to adjust to this signal, we get some strange, strange column-centric ghosting, pointing to an inconsistency in pixel phase and single pixel generation rate. On my friend's Model I Genesis, there is no such problem.
Here we see the DIP bank that I used to play with all the mysterious jumpers. It was torn off some old discarded PCB that was laying around. Switches 9 and 10 are the magic two that do the funky with the VRAM, 8 has no effect, and 7, 6, and 5 mess with VDP output. The others don't seem to do anything but only on the rarest of occasions freezing the system.
Taking the top off the Genesis we see some of the handywork done inside. In box A we see the working of my friend's RGB modification, sapping off the composite encoder, being resisted for correct brightness, and going out to the VGA port.
In box B we see some of the jumpers that are accessed. These connect to switches 3 and 4. They aren't special.
Hiding in box C we find the majority of the jumpers. Towards the bottom of this mess are the two that affect VRAM IO, and above are the other ones that affect video. These are switches 5 through 10.
In the next two boxes is the connection to the jumper that controls refresh rate and the region respectively.
Finally in box E we see the removal of the original evil red LED and its replacement: a very, very bright green LED. The original 1.5 volts or so that the original LED took didn't power the new LED, so now it sits on a chunk of perf board and is powered directly from the little votage regulator on the left of the motherboard, and a opto-isolator connected to the original LED location switches the LED when necessary. The assembly is too tall to fit under the original LED diffuser, so one made of hot glue (almost identical in translucency!) does the job instead.
If it isn't strong enough to use as a frisbee, it's not good enough. That's why everything is reinforced with copious amounts of hot glue.
Here I've swapped Streets of Rage III with Sonic and Knuckles without dis-engaging the jumpers until getting in game.
Close up. Notice that you can still see the font tiles of Streets III, as well as several intact background elements. The rest is garbled since S&K doesn't store its tiles in the same order as SOR III, nor with the same palettes. Sprites are updated every frame, so they aren't affected by this hack.